“Backburner” by Niki was an automatic standout from her fantastic new album Nicole– recalling the feeling of neglect she’d become used to when in love with her partner. “I’ll always be in your corner, ’cause I don’t feel alive ’til I’m burnin’ on your backburner,” the feelings of neglect are almost okay as long as her partner still comes to her eventually, even if pushed aside for the time being. That feeling of waiting to be prioritized by the one you love is heartbreaking, and unfortunately quite relatable for many listeners. The Indonesian singer songwriter even wonders if it was her upbringing and her father’s “wandering eyes” that have instilled this feeling in her. It’s a gorgeously written song and Niki’s storytelling ability really shines through here in a poignant way that makes me want to hear way more going forward!
Ruel’s newest single “YOU AGAINST YOURSELF” is the first single from the Australian singer’s debut album and another fantastic release. Starting the album cycle off with a sense of introspection, he offers up an anthem about overcoming self-sabotage- begging his loved one to let him be there for them in their time of need. “I can’t save you now, Oh, why’s it always you against yourself,” he sings on the chorus- beginning to lose hope that he can break down this barrier between them. Sonically, it’s a synth heavy pop banger with great listenability and the production by Sammy Witte and M-Phazes is so smooth that Ruel’s vocals lay perfectly on top of it. The 19-year-old singer’s voice has never sounded better, showcasing the gravel in his tone along with a falsetto in the chorus that solidify him as one of the most talented male vocalists in music right now. I for one, cannot wait to see what his debut album sounds like when it’s finally released!
Check out the rest of the songs featured on Fresh Brewed #15 below!
Give me a follow on my socials below and let’s connect about the music you’re loving right now! Have an artist you want to see me cover? Hit me up!
So being away for a bit means one major thing: Lots of new music has been released in the last several weeks so we have plenty to catch up on. Grab your morning coffee and let’s get rolling!
Dublin based rock band Inhaler’s newest single “These Are The Days” is the anthemic summer single ready to rock an arena near you. Over the years, Inhaler have proven themselves to be one of the most exhilarating new bands to emerge in years and continue their winning streak here with this newest release. “These are the days that follow you home, these are the days that kiss you on your broken nose, these are the days I don’t miss the feeling of being alone, thеse are the days,” the chorus feels nostalgic in that “Glory Days” kinda way. It’s the cliche that these are the best days of their lives together as a band- and yet they make it feel so fresh and cool. The production, like all of their releases so far, is top notch- carrying the sound of the bands that have come before them and making it modern. If Inhaler is the future of rock, we are in damn good hands.
“In The Kitchen” by Reneé Rapp is a stunningly haunting piece of music that focuses on a moment from her relationship that has now ended and how alone she now feels. “So I’ll dance with your ghost in the living room and I’ll play the piano alone, but I’m too scared to delete all our videos, ’cause it’s real once everyone knows, you could’ve at least shown me some decency, done me a favor and packed up your clothes, falling in love, no, it ain’t for the weak, so don’t try this at home,” the chorus punches a hole into your chest and rips your heart out before you can even catch a breath. Her vocal performance is raw and gritty, an absolutely unforgettable performance that stays with you long after the first listen as she struggles to move past the memory of their love in fear of making the loneliness that much more real. It’s heartbreakingly relatable and Rapp uses her acting chops to heighten the emotions even more so in the gorgeously shot music video below.
The Lost Youth’s newest single “Headfirst” is a raging pop banger that grabbed me from the first 10 seconds- and frankly if you don’t feel the same, I highly suggest getting your hearing checked. The production is slick, reminiscent of the past and yet so perfectly modern. The lyrics are sharp, about the vulnerable early stages of a relationship when you’re afraid of ruining things. “I play my part and I don’t play games, what if I go too far, could I lose everything,” the chorus is anthemic, ready to be screamed at their concerts and sure to be a fan favorite. With “Headfirst” only being their second release, they have an incredible potential to become an absolute sensation around the world. I’m so excited to see what this duo have in store for us next!
Check out the rest of the songs featured on Fresh Brewed #14 below!
Give me a follow on my socials below and let’s connect about the music you’re loving right now! Have an artist you want to see me cover? Hit me up!
Sabrina Carpenter has masterfully crafted a deeply personal and heartbreakingly intimate, yet perfectly fun summer album with her latest album emails i can’t send. Her first full length release since 2019’s Singular: Act II, this album is her strongest and most cohesive by far- showcasing her witty songwriting and utilizing her vocals better than I’ve heard from previous projects.
As I’ve now listened to the album quite a few times through, I can’t help but feel like in a way, this is Sabrina’s equivalent to Taylor Swift’s masterful album Reputation. Following a year of media scrutiny and the publicization of her personal life, one can only imagine the kind of backlash she faced and instead of letting it tarnish her career- she owns it with confidence and takes the time to tell her side of the situation and does so quite beautifully.
The track that will most likely get the most social media buzz “because i liked a boy”, addresses the perceptions and harsh assumptions that Carpenter faced when the public decided to villainize her when dragged against her will into a very public love triangle. “Now I’m a homewrecker, I’m a slut. I got death threatsfilling up semitrucks, tell me who I am, guess I don’t have a choice, all because I liked a boy,” she sings on the chorus, owning into the perceptions people made about a relationship they frankly knew nothing about. Throughout the song, she compares the innocence of their relationship against the cruel and sometimes brutal noise surrounding them. It’s sad that in 2022, a situation can still be so sensationalized to the point that one woman has to be torn down in order to support another- and frankly the true villains are the ones who made Sabrina write this song in the first place.
The album’s title track and introduction “emails i can’t send” adds another layer to understanding what Sabrina has faced- detailing her own fathers’ infidelity and her inability to look at him the same. The stripped down, gorgeous piano led track is tragic in its lyrics while explaining how her father’s affair has impacted her own ability to trust in her relationships- which frankly makes the public calling her a “homewrecker” that much more heartbreaking. “When I’m forty-five, someone calls me their wife, and he fucks our lives in one selfish night, don’t think I’ll find forgiveness as fast as mom did, and God, I love you, but you’re such a dipshit,” she sings in a stream of consciousness like style. Describing the track on her Instagram, Carpenter says that this is “The song that inspired the record. Someone I looked up to let me down and it changed the way I love and receive love.”
Another album standout is “Tornado Warnings”, a very tongue in cheek and fun track about making a habit of ignoring someone’s red flags and choosing to see the best in them. “I drive you home, you drive me crazy, but that’s not gonna stop me, I call you out, you call me ‘baby’, but that’s not gonna stop me,” she sings on the bridge of the back and forth she feels in their relationship. The extremely catchy chorus is also sure to be having everyone singing “I’m lying to my therapist” all summer long as well right from the first listen.
Despite covering some heavy topics, Sabrina also balances out the album with some fun as well with tracks like “Nonsense” and “Bet You Wanna” oozing confidence and sensuality. My personal favorite as of right now is “Already Over”, which finds the singer exploring a relationship where her and her partner struggle to break the routine of being lovers when trying to maintain a friendship. The production is a perfect blend of pop and surprisingly country with the kind of knee slapping chorus that leaves you wanting to chant it over and over. “Yeah I Say I’m done, but I’m still confused, how am I supposed to close the door when I still need the closure? And I change my mind, but it’s still on you, how am I supposed to leave you now that you’re already over,” she sings on the chorus of how closure simply isn’t enough when you’re stuck on the moments you once felt happy in. It’s the perfect blend of heartbreaking lyrics and fun pop production that fans are sure to love.
The final song I’d like to discuss in this review is the album’s final track “Decode” which finds Sabrina coming to terms with the fact that certain situations are out of her control- finding in the end that she can try her best to let them go without taking it on herself. “There’s a weight off my shoulders now that I don’t chase you, being myself did that emasculate you? Learning from you that I can walk away too,” her message here feels like a true culmination of the journey that began with the opening track. As the track begins to close and the gorgeous violins continue on, you can practically feel Sabrina’s sigh of relief. It feels like finding her own freedom and inner peace- ending the album on a powerful note.
Perhaps most impressive is the fact that Sabrina Carpenter has managed to quite efficiently escape the “ex-Disney Star” phase of her career- transitioning seamlessly and quicker than any of her peers before her. This is damn good music and shouldn’t be belittled to headline grabbing hot takes. Sabrina Carpenter has cemented herself as here to stay- a successful singer, songwriter, actress and more. If you can’t see that, you’re simply not paying attention.
There’s more to emails i can’t send then the relationship drama that surrounded it. It’s a story of trauma at a young age and the harmful ways our society still tries to tear women down. But it’s also a story of taking what they try to belittle you with and owning it instead of letting it hold any power over you. And for that, Sabrina Carpenter deserves all of your praise.
emails i can’t send is out now on all streaming platforms!
Stop what you’re doing! The first edition of Brew Music Friday’s new segment “Scalding Hot” is all about singer-songwriter Ben Kessler who is finally back with new music and it’s about to be your new obsession. Kessler describes “I Could Do This All Night” as a song about fighting with yourself- the constant feeling of being stuck in your own head. “I realized I wasn’t writing about being angry or disappointed – I was writing about the power and amusement of realizing your own strength,” he wrote in a post about the release. It’s gritty, relatable, and like all of Ben’s music- effortlessly fun.
“Yeah I could do this all night, you throw a mean punch, but I know you can’t fight and I gave up tryna give a piece of my mind, I’ll let you be right, run all the circles you’d like, I could do this all night,” he sings on the chorus of the rock influenced track. Ben’s voice has never sounded better- both gritty and vulnerable here and filled with stylistic choices that keep you gripping on every single word he sings.
In a short period of time, Ben Kessler has established himself as a poignant lyricist and producer who has stayed true to himself through every subsequent release and collaboration. Whether he’s singing with Lizzy McAlpine on “reckless driving” or on “Love You Now, Love You Later” from his 2021 EP Cruise Control, he makes you feel every emotion imaginable. His voice has the kind of gravel that most artists merely dream of possessing- at times reminiscent of John Mayer, but like most of the greats, he’s in a world all his own.
Ben has described “ICDTAN” as the first song from the most important batch of music he’s ever created, and if this is a tease of what he’s been up to in the months since the release of his single “April”, this next project cannot come soon enough. This is game changing music, anthemic and ready to be sung on every late-night drive with the windows down and sure to be screamed at the top of your lungs when he finally announces a tour.
If you’re looking to follow a rising artist before he hits the big leagues, Ben Kessler is your guy. Sincere, down to earth, and out of this world talented- he’s the kind of artist who deserves every single bit of attention you have to offer. And he’s sure to be an absolute superstar. You can follow his socials below to stay up to date with all of his upcoming news on releases and tour dates. Cheers and happy listening!
“I Could Do This All Night” is out now on all streaming platforms!
Are there any other artists you’d like to see featured on the next “Scalding Hot”? Send me your recommendations on Instagram today!
Zach Oliver’s newest release “Coat Check” is the perfect vibe to get this summer going with a chorus so catchy, I dare you to not have it stuck in your head instantly. I first heard the song teased on TikTok back in June and found myself instantly gravitating toward Zach’s sound, vibe, and overall personality he’d perfectly portrayed in the preview. It left me begging for more- and to my surprise the full song doesn’t disappoint at all (unlike many songs on the app that are teased for way too long before ultimately being underwhelming by the time they are released in full). Each chorus continues to build quite beautifully, and the background harmonies bring such a breath of life into each subsequent chorus. “I fell in love at the coat check singing the song of the summer and I know she got in without paying cover cause her one friend’s probably banging the drummer,” the tongue in cheek chorus is ready to be screamed at the top of your lungs on all of the night drives to come. Make sure you give him a follow now because this guy is sure to be a superstar.
“Gemini”, the latest release from Brynn Cartelli is by far the singer’s strongest outing yet since winning The Voice back in 2018 with Kelly Clarkson! Cartelli was the youngest contestant to ever win the competition and in the years since signing her recording contract, she’s shown a clear-cut artistry and talent for songwriting that all truly shine on this new single. “Gemini” is a fun play on astrology and the fact that Brynn knows that Gemini’s, often known for their double sides (as a fellow Gemini, I can definitely report that it’s real), aren’t good for her and yet the guy at the center of her song is still making her fall for him. The melody is instantly gorgeous and recognizable- unlike any song of recent memory- and the production purposefully allows her vocals to shine above the rising tension. The accompanying music video which Brynn directed herself features the most perfectly fitting choreography I’ve seen in quite a while (kudos to choreographer Olivia Picard). If this is a sign of what’s to come in Brynn Cartelli’s career, we absolutely have a lot to look forward to! Now listen to her advice and avoid my fellow Gemini’s at all costs!
When I tell you that I cannot get enough of Manana’s new song “Pulchritudinous”, it’s just about the biggest understatement of the year. This song stopped me in my tracks, slapped me in the face and left me in its wake to sit and ponder over everything I know about life. It’s haunting, beautifully sung and produced, and just instantly memorable. The South African singer serves as songwriter and producer on the track, which is named after the word pulchritudinous, which also means physically beautiful or attractive. “See I’ve run out of words for what you deserve to be called,” he sings on the pre-chorus, forced to discover an adjective worthy enough to describe his partner. Whereas he searches for the words worthy of his partner, he finds them in the simplest of ways, telling them in the chorus “Cos you are where I’m so happy“. It’s that sentiment that makes it so gorgeous, finding the words that we all dream of hearing someday. Between the songwriting, his velvety tone, and the exquisite production, I hope you all fall in love with this song as much as I have. Manana’s new EP But could the moments in between is out everywhere now!
Check out the rest of the songs featured on Fresh Brewed #13 below!
Give me a follow on my socials and let’s chat about the music you’re loving right now!
Carol Ades’ long awaited new single “26” is a beautifully crafted anthem for anyone feeling lost in life. From the moment I heard the first snippets on her TikTok, I knew this song was somehow made exactly for me. The ways in which Ades describes that in-between state of your mid-twenties where the transition from childhood to adulthood truly hits is universally relatable. “Oh, I’m freaking out, trying not to turn this car right around, cos there ain’t a feeling I’m not tryna fix, I’m not a grown-up but I’m not a kid, it hurts every time I’m reminded, I’m not dying, I’m just 26,” she sings on the chorus. The production choices are simply gorgeous as the track continues to build into the second chorus’ crescendo, but it’s the simplicity of the outro that make it unforgettable. Carol Ades has already had an accomplished career as a songwriter but it’s about time she gets the credit she deserves- she’s an absolute star.
“Ruby Sparks” is another standout release by a rising artist named Monét Ngo who proves himself to be a force to be reckoned with on this track (which is only the second song he’s ever released btw). According to his Instagram, the song came to him in a dream- and the mysteriously seductive production captures that dream like haze quite perfectly. While listening, I was reminded so beautifully of little hints of Joji, Ryan Beatty and even the one and only Frank Ocean- and yet Ngo is very much his own artist. The song was already pretty much perfect and then the final minute began- with the switch up in production slowing down the beat and adding a reverb to his vocals that truly skyrocketed it to perfection. It’s been a long time since I’ve found a brand-new artist that made me desperate for whatever is next- and Monét Ngo should know I’ll be waiting desperately.
Oceanic’s new single “Walt” is yet another incredible release from the Indie pop band who have gained quite a lot of success over the last few years. Like all of their songs, “Walt” is beautifully written and gives the listeners the opportunity to think on what it means to be in love. Named after Walt Disney, the song examines the ideas we have of love based upon the shows and movies we grow up watching and how they mess up our own view of the love we experience in our lives. “My love right now is missing some perfection, if the silver screens are true,” they sing on the pre-chorus, questioning their own experiences based upon the expectations fed to us. It’s not something that is always made obvious to us, but there are things that we are made to feel that we are required to say and do, which can make romance feel a bit more calculated than it really should be. It’s what Oceanic always do best, they get you bopping first and before you know it, you’re in deep thought- which is truly what I love about them. “Walt” is the latest single from their upcoming album No, Human and you can check out my interview with the band from back in May here!
Check out the rest of the songs featured on Fresh Brewed #12 below!
Give me a follow on my socials and let’s chat about the music you’re loving right now!
I recently had the opportunity to speak with singer and producer Cosette about her experience being the sole songwriter and producer on her new single “Strings” and the artists who have inspired her journey. Check out our conversation below!
Brew Music Friday:Let me start by congratulating you on the release of “Strings”! The blend you’ve crafted between the traditional strings sample and pop is so fascinating. Can you tell me a bit about how the song came to be?
Cosette: Thank you so much! “Strings” started from me finding this old record of orchestral music that was just begging to be flipped. I started building the beat around the violin sample and at some point it started turning into a more uplifting hopeful sound despite starting off dark. I looked around my room while listening back on a loop and saw so many clothes and gifts from my ex boyfriend lying around my room. I realized I needed to get rid of all of it if I was wanting to have a fresh start. But when I got to his letters, I couldn’t throw those away, hence the lyrics “I’ll take all your thoughts that you’ve written down in pen and I’ll keep it somewhere locked. I swear I’ll never forget it.”
BMF:So how are we feeling with the release?! I can imagine that it must be such a mixed feeling of excitement and anxiety over the world finally hearing it.
C:I feel so happy that this vision is finally born. This song is the first time I feel like the sonics accurately portrayed my emotions and not just the lyrics. Even without my voice I feel like it tells my story. I always get nervous on release day, but overall I’m just so happy that it’s finally born.
BMF: You’ve taken a lot of risks with your production throughout your discography but even more prevalently in “Strings”. Is it something you set out to do with each track or is it an unconscious decision?
C:I’m so honored to hear you think my production takes risks. That is absolutely the goal! When I listen to music, what grabs me personally is little production ear candy, the weirder the better. I want to make people’s heads tilt, squint their eyes and furrow their eyebrows when they listen to my music. I hope people are engaged and surprised every eight bars.
BMF:Who do you feel has inspired you the most as a rising producer and songwriter?
C:Every couple months I tend to find a different artist to obsess over that inspires me. This year particularly it has been Caroline Polachek which is definitely the main inspiration for this specific track. I also am very inspired by Brakence lately, Charli XCX and FKA Twigs. Throughout my discography though, I feel like the 1975’s Matty Healy has said in interviews that he runs with the first lyrics that come to mind, the way they’re originally phrased when they first come out. I use that strategy in my lyrics.
BMF:As a fellow writer, I know just as well as you that writing comes from a place of vulnerability. For me, my pen feels most powerful when I’m making art out of my pain. What do you feel drives you creatively?
C:I write when I’m inspired and only when I’m inspired. I usually feel like writing when I’m trying to analyze my relationships. I play moments over in my head and think about how I felt, what I looked like, what my body language was, what their body language was, what my motive was, what their motive was. I definitely tend to make my art out of pain, but the goal is to understand it, find the lesson and learn from it.
BMF:Do you remember the first song you ever wrote?
C:My mom has some crumbled pieces of paper that carry my first songs from when I was a kid but I don’t remember those. The first one I remember is from freshman year of highschool, something I wrote on guitar about getting butterflies riding in the car with a boy. I tend to always want to refer to memories in the car in my writing, it’s hard to refrain! Nashville’s a driving city so a lot of important memories take place there.
BMF:Having sole writing and producing credits is no small feat, but is there any artist or producer who you’d love to work with someday?
C:There are so many, Pharrell, Tyler the Creator, Ariana Grande, and Kanye West to name a few. As well as all the artists I listed earlier that have been inspiring me recently. I would love to have them produce for me, but I would absolutely die If I could produce for or with them.
BMF:You recently played a few shows in LA! How does it feel to be performing in front of crowds again after quarantine really hit us all so hard?
C:Yes! I just got back from those shows in LA and I am so happy I had the opportunity to play out there. It feels peaceful, I love telling my stories before I start the song and being vulnerable with a room full of strangers. I am so glad the world has opened back up. I have met many lovely people in person which is so refreshing with all the time spent on social media.
BMF:Even in 2022, the music industry still has a serious gender inequality issue, specifically behind the scenes and on the production end of things. What does it mean for you to be a trailblazing female producer?
C:Trailblazing! Thank you so much! I hope to show other women that the tech side isn’t just for boys. You don’t have to wait to find the right producer to execute your tracks. Without sounding presumptuous, I hope to one day inspire other girls.
BMF:What can fans expect to hear when your next EP drops later this year?
C:They can expect more orchestral sample flips and more beat switch ups. They can also expect some elements of hyperpop and more experimental EDM in there as well. I feel like this EP showcases a range of genres and blends them so there’s something for everyone. I’m definitely experimenting and avoiding structure and formula.
Make sure you tune in when the music video for “Strings” premieres on June 8th! You can follow Cosette on her Instagram and Spotify to stay up to date for any further announcements!
Hardcastle writes about the uncertainty of self on his newest single “Me from the Past” which details a point of life we’ve all unfortunately experienced in feeling as if we’ve lost ourselves. “Now it’s all falling apart, I know it’s just a moment but that don’t make it any less hard. It’s like someone else is walking around in my skin, it’s getting harder to know who I am, I don’t know how long it’ll last, but I’m missing the me from the past,” he sings on the final chorus. Hardcastle, aka Graham Laderman is currently LA based and his songwriting has this raw quality to it that makes you want to bop your head and sob at the same time. Or is that just me??
“Demon” by Blake Rose is another standout track from the Australian singer who seemingly never misses with each subsequent release since releasing his hit single “Lost” back in 2019. This latest track is written and produced by Rose himself and embraces more of an alternative/rock sound of pop which fits his powerful voice so perfectly. “Oh god, it makes me nauseous that I even know your name, Wish I never said hello and I just walked away,” he sings above a pulsating beat as the music swells in the chorus. If “Demon” and his other recent release “Confidence” are a sign of what Rose’s next release will be, 2022 might just be his finest year yet.
I couldn’t possibly conclude this catch up of new music without mentioning “This Love (Taylor’s Version)”, could I? Taylor Swift continues to defy the odds, somehow taking yet another song that was already perfect and making it even better. The production feels richer, and her matured vocals are hauntingly gorgeous on this re-recording- just as they were on “Wildest Dreams (Taylor’s Version)”. But I couldn’t talk Taylor without addressing her lyrics, especially on that damn bridge. “Your kiss, my cheek, I watched you leave, your smile, my ghost, I fell to my knees. When you’re young, you just run, but you come back to what you need,” she sings of a love that she’s found again after letting it go- shattering all of our hearts in the process. It’s been such an honor to listen to every re-recording as Swift slowly regains ownership of her incredible catalogue and gives us finely improved versions in the process. Cheers to the next, but for now “This Love” has come back to us as well.
Check out the rest of the songs featured on Fresh Brewed #11 below!
Come say hi on my socials and let me know who you’d like to see featured next! Until next time 🙂
Maggie Rogers’ first single off of her long-awaited sophomore album Surrender is finally here and it is exquisite. “That’s Where I am” is Rogers’ first release since beginning graduate school and it fulfills every bit of expectation built by her beautiful first album. Sonically, it feels gorgeously joyous, but its lyrics paint a picture of the toll that waiting to be with the one she loved took on her. “You never touched me but I felt you everywhere,” she sings on the second verse when reminiscing of her lover’s relationship with another girl that she had to sit and watch when they were merely friends. This song will hit home for anyone who has ever felt a certain way for a friend, but it’s Maggie Rogers’ voice and storytelling that will leave you coming back for more every single time. Her second studio album Surrender will be released on July 29th.
“Offering” by burningforestboy is a sexy, brutally chill track from his new album STARSCREAM. The South African artist’s voice is almost hypnotic as he pours out his feelings to his lover in lines like “I won’t give you anything more than what you need Baby, you tell me what you want and you’ll receive“. The 2 minute and 19-second-long song is definitely way too short, but it begs to be endlessly repeated. The track’s success has been monumental for burningforestboy, as he’s become the first South African musician to be featured as the Cover artist for major Spotify playlists like Fresh Finds. If he continues making music like this, there’s sure to be many more milestones ahead.
Gracie Abrams’ newest release “Block Me Out” is another stunningly raw collaboration between the singer and The National’s Aaron Dessner. The two previously worked on Abrams’ beautiful EP This Is What It Feels Like, which was met with critical acclaim in November 2021. “Block Me Out” is Gracie at her best- an open wound spilling out her truth with a voice that will haunt you for the rest of your days. “I think I’m burning alive, but nobody sees the fire, ’cause when I open my mouth, I seem to be stuck in silence,” she sings on the second verse of how her mind plays games with her and holds her back from the ones she loves. As always, Gracie portrays a self-awareness unlike any of her peers and somehow puts into words the feelings that we all struggle with, when the voices in our heads get too loud and we wish we could shut them down. The fact that she brings attention to it so beautifully is perhaps the first step in getting better and she’s gifting her listeners with taking that step in the right direction as well.
Check out the rest of the songs featured on Fresh Brewed #10 below!
Make sure you’re following my socials- lots of fun stuff coming out starting this weekend!
Harry Styles has jumpstarted his next era with the release of “As It Was”, the lead single off of his third studio album Harry’s House which is set to be released this May. The track draws inspiration from the synth pop of the 80’s, shifting Styles’ sound away from the classic rock influence of his first two albums. The single is also his most vulnerable to date, with lines like “Answer the phone, ‘Harry you’re no good alone, why are you sitting at home on the floor? What kind of pills are you on?’” revealing a raw undertone amongst the radio friendly track. Despite the vulnerable lyrics, the track feels quite euphoric- which the accompanying video captures perfectly with Styles breaking into a dance with a huge smile on his face as it fades to black.
John Michael Howell’s new single “Mistakes Were Made” feels beautifully classic in its production with relatable lyrics and a buildup in the verses and bridge that make the chorus fully explode. It’s the kind of chorus that is sure to stay with you long after your first listen, or in my case the last 25 listens. “Mistakes were made but that’s okay, I’ll be better for it someday,” he sings on the hook, giving his listeners a refreshing outlook from someone who knows that healing isn’t the same journey for all. I’m a big believer in the fact that scars help us learn within our healing process and Howell communicates is quite poignantly in this gorgeous track.
“The Snake” by Lana Lubany is a hypnotizing, guitar led track that is Lubany’s attempt to bridge the gap between the Western and Eastern worlds. Lubany sings in both English and Arabic on the new single, which is unlike anything I’ve heard recently. It’s sultry and vibey- and the production highlights her vocals so perfectly. The song is worth all of the hype surrounding it on TikTok right now, and somehow gets better with every listen. If there’s any hope in this world, the incredible response will inspire more bilingual tracks from Lubany who deserves every bit of attention you can give her right now. Now excuse me while I go listen again.
Lyric of the week: “Long as it’s a game, I’m bound to lose, Hardest damn thing I’m gonna have to do“- Lauren Weintraub in “Missing You”
Check out the rest of the songs featured on Fresh Brewed #9 below!
You can expect some fun surprises in the next week so make sure you’re following my socials to get a first look at what’s to come!