Review: Fletcher’s “Girl Of My Dreams”

“Girl of My Dreams” by Fletcher is out everywhere now!

Fletcher’s long awaited debut album Girl Of My Dreams is triumphant in its exploration of finding self-love in the aftermath of a devastating heartbreak. Throughout her discography, Fletcher has never shied away from her brutal honesty- representing a darker side of pop that is just absolutely epic when paired with her killer voice. With this being her debut album- every aspect that has worked so well in her past EP’s is amplified here, and did I mention that it’s like….. super gay? Need I say more?! Let’s get into the best of the best here!

Album opener “Sting” sets the tone perfectly- placing us directly in the wake of her breakup with her vulnerable lyrics and gorgeously emotive voice. Referencing several moments throughout her career from “All Love” on her second EP you ruined new york city for me to her third EP The S(EX) TAPES- the track compares the hurt to a sting as she wonders if it will simply always feel this way. The production is slick and perfectly crafted, allowing the track to continue to build until that vibey beat finally drops in the second verse. “Honestly, all I wanna know why does it sting? Why am I still hung up on things? Are you gonna give that diamond ring that’s meant for me to her? But maybe I like the way it sting, it’s all I got left of you and me, I’d rather it keep on cutting deeper, show what we’re worth,” Fletcher sings on the chorus, making me feel like shaking and crying in a way that only Cari Fletcher can succeed in doing.

“Sting” by Fletcher

Continuing the self-referential nature of the opener, the album’s followup track “Guess We Lied” is an absolute knockout- interpolating the chorus of Fletcher’s single “If You’re Gonna Lie” from you ruined new york city for me and giving it more of a rock edge to fit this edgier and more mature vision. As a longtime fan, I was shocked to hear the chorus of one of my favorite Fletcher songs sampled here but it works incredibly well- in a way that shows how time can change us and give us truth in hindsight. The original placed the blame directly on her ex, but this newer version allows Cari to accept some of the blame as well in lines like “I know we said forever but I guess we lied” there to destroy us emotionally. Now, my personal favorite lyric here comes from the start of the second verse- “Do you ever get the feeling, we’re a real deep cut that’s never healing, it’s fuckin’ me up but not in a good way”. Through connecting these newer songs to her past- the growth not only in her vocals but in herself as well serves to drive home the album’s overarching themes (more on this later).

“Guess We Lied” by Fletcher

“Birthday Girl” is another devastating moment on the album, written in the spiral of knowing that her ex- girlfriend shares the same birthday as her and being unable to escape the thought of her as she tries to celebrate her own day. As the album’s first stripped back track, “Birthday Girl” is a showcase to Fletcher’s incredible pen game- shattering my heart in simple sentences like “The night we met, we found out we were born on the same day, It was weird but kinda cute, And now it’s weird but fucking sucks, ‘Cause we broke up and I’m scared that it’ll never feel the same way. I hate that song without your name, and mine looks lonely on the cake“.

“Birthday Girl” by Fletcher

The heartbreak-tinged pop perfection continues through the middle of the album as we reach the singles that preceded its release like the chaotically petty “Becky’s So Hot” about her ex’s new girlfriend and “Better Version” which is about how the next person gets the so called “better version” of someone who moves on from a relationship. It’s here where the album takes a shift inward, abandoning the focus of past heartbreak and honing in on an exploration of self with the interlude called “I Think I’m Growing”. “I’ve had to get along and hang out with me instead, I saw all the parts I didn’t like, so insecure, so quick to fight, I didn’t know I was so co-dependent, I didn’t know I had so much resentment,” she sings on the opening verse of learning to be okay on her own for the first time in so long and discovering what she needs to work on in order to improve. The production is literal lesbian heaven- with Fletcher’s voice carrying us up through the rainbow gates with harmonies so tightly perfect, it has yet to resonate with me that they are actually real. So so so good.

“I Think I’m Growing” by Fletcher

Title track “Girl Of My Dreams” takes leaps forward towards self-preservation and love- proclaiming herself to be the only “girl of my dreams”- which honestly grasped my attention so firmly after incorrectly assuming that it would be a love song about another woman. “I’m all hers, and she’s all mine, I’ll love her ’til the day I die,” the New Jersey native isn’t claiming to be fixed or know the answer to what troubles her- but instead recognizes how she is the one who needs to stand tall and love herself unconditionally. There’s a sense of comfort in the lyrics, like a much-needed warm hug, to thank herself for being the one who has always gotten her through the toughest days. It’s a gorgeous statement and extremely worthy of representing the album as a whole.

“Girl of My Dreams” by Fletcher

Cari continues this look inward with “I Love You, Bitch” which is her learning to say that she loves herself after having said it much more easily towards her exes than she ever has to herself. “‘Cause I’ve said it, to everyone, everyone, everyone, everyone else, Like oh my God. And I’ve meant it, to everyone, everyone, everyone but myself, Like oh my God, So I’ve been looking in the mirror and I practice saying this: I love you, bitch,” the personality and charisma that Fletcher brings to every track truly shines here most of all- somehow escaping the pitfall that “self-love anthems” are often stigmatized for. The production is light and quite playful, a fun little song that perfectly blends to fit each moment- having taken influence from the pop punk resurgence in the chorus and the dream pop escapism of the verses and still allowing it time to breathe in order to continue building.

“I Love You, Bitch” by Fletcher

As we finally reach the album’s closing track “For Cari”, she offensively attacks our feelings as she dedicates this final note to Cari- the girl she is on the inside, the girl she has always been. It’s one thing to love and appreciate the singer that is Fletcher along with her writing and performing but to hear her talk so lovingly of Cari and take note of the growth felt throughout this experience, it resonates on absolutely every level. “‘So I’ll say ‘farewell’ to the hard times, and I’ll say “fuck you” to the bad vibes, and I’ll raise a glass while I toast to myself, I’m a bad bitch and nothin’ can scare me, This one’s for Cari,” the melodic structure and lyrics are so refreshing- they give me drunken night’s out with friends and toasting to the crowded bar kinds of vibes. It’s gorgeous and lots of fun- sealing off the album on the perfect note.

“For Cari” by Fletcher

Overall, Fletcher absolutely crushed it while making this album. The years that have preceded this release have done an incredible job of setting us up for what was to come while also respectfully keeping an eye on her past. If there’s any justice in this world, Fletcher will become THE pop queen with the release of this album- serving vocals, beauty and an undercurrent of honesty throughout that prove her to be more fearless than any of her current peers.

Girl Of My Dreams is out now on all streaming platforms!

Review: Beyoncé’s “Renaissance”

Beyoncés new album “Renaissance” is out now everywhere!

Beyoncé’s new album Renaissance is a triumphant tour de force- just the kind of electrifying jumpstart that Pop and R&B needed this year. Now I know what you’re thinking: this has literally been out for nearly two months. And yes, you’d be correct in saying so- but it would simply be a disservice to this masterful work of art to just give it a standard review.

This record is a dance floor album- with the track list seamlessly arranged to feel like a DJ set in the greatest club on the planet. Celebrating both the Black and Queer communities who helmed the disco and house music movements, Beyoncé’s successfully crafted a work of art that feels like healing. Now let’s break down some of the best moments!

“I’m That Girl” by Beyoncé

In true Beyoncé fashion, the album begins on an empowering moment with tracks “I’m That Girl” and “Cozy”, setting the tone perfectly for what is to come. Ms. Sasha Fierce has built her entire career around a discography meant to exude confidence, so there really isn’t anything astoundingly different here- yet these opening tracks still hit just as hard. The production choices and melodies are unlike anything Queen Bey has ever released and are instantly memorable in an album full of standout tracks. “Cozy” specifically is the kind of track you instantly wish you knew every word to so you can blast it and sing along in the car. It’s that good.

“Cozy” by Beyoncé

In my eyes (and thankfully in my ears too) the album would be all that much lesser if not for “Alien Superstar” which is definitely a candidate for song of the year for me. It’s futuristic, while keeping one eye on the past- inherently euphoric and transportive into a galaxy all her own. Somehow fierce, sexy, confident and feminine- the song represents the multitudes of Beyoncé. “I’m too classy for this world, forever I’m that girl, Feed you diamonds and pearls, ooh baby, I’m too classy to be touched, I paid them all in dust, I’m stingy with my love,” she interpolates Right Said Fred’s song “I’m Too Sexy” in the chorus- still somehow making it her own and unlike any music being released today.

“Alien Superstar” by Beyoncé

Now there’s a reason why people are absolutely devouring “Cuff It” online, crafting their own choreography which simply insights joy upon every watch and listen. The song feels so classic, like an older track I would’ve heard my parents reminiscing about during my childhood. And that’s not to say it’s outdated, that couldn’t be further from the truth. The chorus is infectious, making you feel invincible like only a night out with your best friends can do. “Bet you you’ll see far, Bet you you’ll see stars, Bet you you’ll elevate, Bet you you’ll meet God, ‘Cause I feel like fallin’ in love,” the post chorus is the true standout here- both addictive and vocally powerful. It’s peak Beyoncé.

“Cuff It” by Beyoncé

Now we can’t talk about this album without addressing the lead single- “Break My Soul”. Admittedly, it was not my favorite on the first listen. I found it a bit abrasive and not quite the comeback single I’d hoped for. I will however say that it is very much a grower as it has gotten better with every single listen- both empowering and joyous as the production continues to build until the end where a choir accompanies Beyoncé on a gorgeous pulled back note. I’m very happy to report that I was quite wrong about this track and while it still isn’t my favorite on the record, I do think it was the perfect lead single to bring us all back into the BCU (Beyoncé Cinematic Universe).

“Break My Soul” by Beyoncé

“Plastic Off The Sofa” is vocal heaven- sonically ethereal and another timeless track that could’ve been released in the 1970’s (but thankfully we get to be the ones to discover it today). Her vocal delivery is light and airy here, with every single one of her choices placed perfectly. If this song had been somehow placed in the wrong hands, it could’ve gone oh so wrong. A lesser singer might have overdone the runs and made it tasteless with senseless vocal acrobatics- in case you need an example of this, I highly recommend checking out the “Plastic Off The Sofa Challenge” which has gone viral on TikTok. But when you listen to Beyoncé sing her absolute ass off here, you just completely understand why she is exactly where she is today. Being the only drastic change of pace on this dance heavy album, it’s a true standout and is reminiscent of Beyoncé’s early solo work.

“Plastic Off The Sofa” by Beyoncé

Now I could sit here and talk about this album until I’m blue in the face, or rather until Act II comes out, but I highly recommend that you simply check it out for yourself. Any review or remarks from me will just fail to capture the magic of it all- so do yourself a favor and whether you’re out on a drive, cleaning around the house, or relaxing on your couch- blast this album as loud as you possibly can.

Beyoncé succeeds in every aspect with Renaissance, the first Act of her new trilogy, an album that grants its listeners an ounce of the confidence and empowerment that Beyoncé exudes. It’s just enough to keep us going, giving us exactly what we need in order to move on from what isn’t working in our lives and go on to not only live a better life, but to thrive.

Renaissance isn’t just an album, it’s an experience. It’s an hour-long dance party with your best friends, the much-needed night out after a difficult week, the escape we can all use from the ugliness in this world. And we have THE Beyoncé to thank for that.

Renaissance is out now on all platforms!

Review: Maggie Rogers’ “Surrender”

Maggie Rogers’ new album “Surrender” is out everywhere now!

If anybody asks where I am, just assume I’m experiencing the feral joy that only a brand-new Maggie Rogers album can inflict on me. With her new album Surrender, Maggie tells stories about seeking escape through allowing herself to let go and just feel everything. It’s a gorgeous album, transcendent in both its production and its storytelling as Maggie waves the white flag above her heard for all of us.

Since the release of her critically acclaimed debut album Heard It in a Past Life in 2019, Rogers has been quite busy- having just graduated with her Masters in Religion and Public Life from Harvard’s Divinity School while simultaneously writing and producing her sophomore album. There’s a certain level of authenticity that Maggie continues to bring not only to her art but to her life as well that makes people gravitate towards her and root for her in every endeavor. And I truly believe that this authenticity bleeds through into her lyrics and her production as well. Let’s break it all down now!

Album opener “Overdrive” feels like an open road song- that start of a road trip kinda banger that sets the mood for what’s to come and feels like the utter freedom of the open highway before you. Rogers’ voice feels massive right from the first note, deepening her register on this record in ways we have never heard prior- in fact it’s almost reminiscent of Florence Welch at times in her ability to flip from her head to chest voice. “I don’t wanna do this again if you’re gon’ break my heart, I’m tearing at the seams, can’t believe that it’s gotta be this hard, you told me that I was all you could see, but you kept me in the dark,” she belts out on the bridge of a broken relationship as the production intensifies. “Overdrive” is an evolutionary piece, bridging the gap between the folk influenced sounds of her past and leading us into the liberation to come.

“Overdrive” by Maggie Rogers

“Anywhere With You” is an absolute standout and is quite possibly a contender for my Top 10 Songs of 2022 so far- both raw and exuberant in its storytelling and production. Maggie’s vocals are absolute perfection here as she tries to help her companion out of their lowest point in search of something bigger than themselves. “You tell me that forever couldn’t come too soon, If I’m gonna lose my mind, I’m gonna lose it with you, You tell me you want everything, you want it fast, but all I’ve ever wanted is to make something fucking last,” their outlooks on what’s to come may differ but she makes it clear that what’s most important is experiencing this journey together. The song’s crescendo is truly breathtaking, and the production choices made here by Del Water Gap, Kid Harpoon, and Maggie herself are, to put it quite plainly, fucking phenomenal.

“Anywhere With You” by Maggie Rogers

Channeling the grunginess of 90s rock and almost Springsteen-esque in the feeling it evokes comes “Shatter”, another incredible feat brought to us through the magical collaboration of Rogers and Kid Harpoon. It somehow encapsulates a handful of emotions- love, joy, fear, anger and confusion, all mixed into one song with a chaotic production to match it and a vocal so raw, it feels ethereal. Her authenticity continues to bleed through here with the adorable cracks in her voice bringing such character to her performance that it leaves me begging for more with every single listen. “I don’t really care if it nearly kills me, I’d give you the world if you asked me to, I could break a glass just to watch it shatter, I’d do anything just to feel with you“. She’s on an entirely different level.

“Shatter” by Maggie Rogers

Maggie’s lyrics read like gorgeous prose in pieces like “Begging For Rain”, which tells the story of that feeling of being in a dark place and focusing on what could have been different while begging for what could bring you relief. “You work all day to find religion, and end up standing in your kitchen, wondering ’bout the way it’s always been, I’m a firefighter and I can’t stop it, they fan the flames higher than rockets, and leave you standing on an open plane, begging for rain,” that feeling of grief is difficult to shake and can cause you to miss out on moments and people in your life that become casualties in the wake of your pain. It’s quite solemn but that’s what makes it all that much more poignant. Sonically, this track is more stripped back and a welcome reprieve from the string of bangers surrounding it in the tracklist.

“Begging For Rain” by Maggie Rogers

As the album heads towards its conclusion, we reach “Symphony”, which truly feels like an exhale from the rising tension that comes before it. It’s a moment of liberation, of transcendence, and a reminder to grasp onto that feeling as we continue on with our lives. “So just be here with me, there’s nowhere else I’d rather be, and there’s a symphony every time you look my way, I know we’re under slept and life’s a promise that never ends, but you can handle it. Take a breath,” she urges her partner to surrender to this feeling of peace that she has found for herself in their relationship. It’s a moment for us to take that breath as well- to take in what we’ve experienced and surrender to our emotions as Maggie transitions into the album’s final track.

“Symphony” by Maggie Rogers

What Maggie Rogers has done with Surrender is what most artists merely dream of- capturing the overwhelming mess of emotions that one experiences in life and refusing to let it take her under. Instead, she uses all of the pain as a lesson, finding her own motivation to continue on and in surrendering to all that she’s faced- she found true liberation.

Surrender is out now on all streaming platforms!

Fresh Brewed Playlist #15

Niki’s new album “Nicole” is out everywhere now!

“Backburner” by Niki was an automatic standout from her fantastic new album Nicole– recalling the feeling of neglect she’d become used to when in love with her partner. “I’ll always be in your corner, ’cause I don’t feel alive ’til I’m burnin’ on your backburner,” the feelings of neglect are almost okay as long as her partner still comes to her eventually, even if pushed aside for the time being. That feeling of waiting to be prioritized by the one you love is heartbreaking, and unfortunately quite relatable for many listeners. The Indonesian singer songwriter even wonders if it was her upbringing and her father’s “wandering eyes” that have instilled this feeling in her. It’s a gorgeously written song and Niki’s storytelling ability really shines through here in a poignant way that makes me want to hear way more going forward!

“Backburner” by Niki

Ruel’s newest single “YOU AGAINST YOURSELF” is the first single from the Australian singer’s debut album and another fantastic release. Starting the album cycle off with a sense of introspection, he offers up an anthem about overcoming self-sabotage- begging his loved one to let him be there for them in their time of need. “I can’t save you now, Oh, why’s it always you against yourself,” he sings on the chorus- beginning to lose hope that he can break down this barrier between them. Sonically, it’s a synth heavy pop banger with great listenability and the production by Sammy Witte and M-Phazes is so smooth that Ruel’s vocals lay perfectly on top of it. The 19-year-old singer’s voice has never sounded better, showcasing the gravel in his tone along with a falsetto in the chorus that solidify him as one of the most talented male vocalists in music right now. I for one, cannot wait to see what his debut album sounds like when it’s finally released!

“YOU AGAINST YOURSELF” by Ruel

Check out the rest of the songs featured on Fresh Brewed #15 below!

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Fresh Brewed Playlist #14

Inhaler’s new single “These Are The Days” is out everywhere now!

So being away for a bit means one major thing: Lots of new music has been released in the last several weeks so we have plenty to catch up on. Grab your morning coffee and let’s get rolling!

Dublin based rock band Inhaler’s newest single “These Are The Days” is the anthemic summer single ready to rock an arena near you. Over the years, Inhaler have proven themselves to be one of the most exhilarating new bands to emerge in years and continue their winning streak here with this newest release. “These are the days that follow you home, these are the days that kiss you on your broken nose, these are the days I don’t miss the feeling of being alone, thеse are the days,” the chorus feels nostalgic in that “Glory Days” kinda way. It’s the cliche that these are the best days of their lives together as a band- and yet they make it feel so fresh and cool. The production, like all of their releases so far, is top notch- carrying the sound of the bands that have come before them and making it modern. If Inhaler is the future of rock, we are in damn good hands.

“These Are The Days” by Inhaler

“In The Kitchen” by Reneé Rapp is a stunningly haunting piece of music that focuses on a moment from her relationship that has now ended and how alone she now feels. “So I’ll dance with your ghost in the living room and I’ll play the piano alone, but I’m too scared to delete all our videos, ’cause it’s real once everyone knows, you could’ve at least shown me some decency, done me a favor and packed up your clothes, falling in love, no, it ain’t for the weak, so don’t try this at home,” the chorus punches a hole into your chest and rips your heart out before you can even catch a breath. Her vocal performance is raw and gritty, an absolutely unforgettable performance that stays with you long after the first listen as she struggles to move past the memory of their love in fear of making the loneliness that much more real. It’s heartbreakingly relatable and Rapp uses her acting chops to heighten the emotions even more so in the gorgeously shot music video below.

“In The Kitchen” by Reneé Rapp

The Lost Youth’s newest single “Headfirst” is a raging pop banger that grabbed me from the first 10 seconds- and frankly if you don’t feel the same, I highly suggest getting your hearing checked. The production is slick, reminiscent of the past and yet so perfectly modern. The lyrics are sharp, about the vulnerable early stages of a relationship when you’re afraid of ruining things. “I play my part and I don’t play games, what if I go too far, could I lose everything,” the chorus is anthemic, ready to be screamed at their concerts and sure to be a fan favorite. With “Headfirst” only being their second release, they have an incredible potential to become an absolute sensation around the world. I’m so excited to see what this duo have in store for us next!

“Headfirst” by The Lost Youth

Check out the rest of the songs featured on Fresh Brewed #14 below!

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Review- Luke Hemmings’ “When Facing the Things We Turn Away From”

Album Artwork

When Facing the Things We Turn Away From, is an album that punches a hole in your chest, grabs hold of your heart, and promises to never let go. Not that you’d ever want it to.

Luke Hemmings has achieved what most artists can merely dream of, crafting a cohesive, dreamlike soundscape to explore themes of growing up, isolation, and the fear of losing all that you love. Hemmings’ cowriter and producer on almost every track, Sammy Witte, creates an atmospheric tension that builds upon the foundation of classic rock.

Despite being his debut solo album, Hemmings is no stranger to the music industry- having spent the last decade as the lead singer for the popular band 5 Seconds of Summer. Now he’s getting personal, letting the listeners in for perhaps the first time on this 12-track journey.

“Starting Line”- Directed by Scottie Cameron

It all began with “Starting Line”, the lead single which tracks Hemmings’ experience throughout the years in the music industry. Despite his worldwide success with the band, Luke feels as if a part of his youth has been taken from him. “Standing on the sun and I don’t feel a thing“, the Australian singer is apathetic amongst the success that most merely dream of achieving.

It’s nothing groundbreaking, the struggles of fame have been told time and time again- but it’s Witte’s production that aids in the track’s success. It begins with a slow jog over a simple piano and builds until its bridge when Hemmings’ vocals begin to soar, and the drums propel the listener into a 5K for their life.

Witte outdoes himself again on the somber track “Mum”, a song tinged in regret of leaving those you love behind- in this case Luke’s mother. The tension of the lyrics continues to rise until the utter explosion of instrumentals after the second chorus- perhaps the finest bit of production in most recent years.

On album highlight “Slip Away”, Hemmings unleashes every bit of emotion he has left. Singing of the fear he feels in losing the ones he loves, he recently told Apple Music that “‘Slip Away’ is about that feeling right before bed where every bad decision and bad thing you have ever done swirls around your mind. The constant ache of expecting loved ones to be out the door as soon as they see who you actually are“.

Hemmings begs his loved ones not to give up on him, practically crying on the final chorus as he sings out “don’t you leave me in this silence, when you’ve seen all my mistakes, now I’m looking for escapes like I knew I would“. It’s impossible not to feel his pain, this burden of fear that sits heavy on our chests in our most vulnerable moments.

When Facing the Things We Turn Away From is a career defining album, one in which Luke Hemmings has made with his solo debut. Raw, emotional, and often times very fun- the album has no filler tracks and demands for each song to have its own focus. The best album of 2021 is criminally underrated, having somehow gone without much media attention. Perhaps this is just what its maker wants, to create his art and still live his life- he has clearly earned it.

When Facing the Things We Turn Away From is out now on all streaming platforms!

Fresh Brewed Playlist #3

Role Model’s new single artwork for “if jesus saves, she’s my type”

This week’s Fresh Brewed Playlist was curated with a comforting cup of Ginger tea.

Role Model has released a new track, “if jesus saves, she’s my type”, along with the announcement of his debut album RX which is set to be released on April 8th. The Los Angeles based singer songwriter, known for his brutally honest and often humorously relatable lyrics, continues to deliver what his listeners have come to expect from each subsequent release. “If I die, know she’s takin’ the wheel,” he croons over the bouncy synthesizer with a playful twist on “Jesus Take the Wheel”.

“if jesus saves, she’s my type”- Directed by Dylan Knight

Y’all make it more about the stain than who actually spilled,” ihateyouALX’s flow on his newest track “Consequences” is so smooth, it grabs you right from the first verse. The West Coast rapper’s complex lyrics are a standout over the laid-back production and demand to be intently listened to. Sit down, vibe, and take note of this rising artist who promises much more to come.

“Consequences”- Cinematography by Gage Garza

“Headphones” by Maude Latour is her self-professed love letter to music, writing in an Instagram Post that it’s an “ode to following your divine light, and your inner voice”. The 21-year-old celebrates the utter joy that comes from creating something that is completely your own and the power that comes from the moments she can put her headphones in and listen to her own art. The pop track is a reminder to take pride in what you give to the world, and frankly there’s nothing more powerful than that.

“Headphones”- Directed by Steven Mertens

Lyric of the week: “I bet you hope that we’re friends and I just hope you’re dead“- “ily <3” by Sipper

Check out the rest of the songs featured on Fresh Brewed #3 below!

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