Review: Fletcher’s “Girl Of My Dreams”

“Girl of My Dreams” by Fletcher is out everywhere now!

Fletcher’s long awaited debut album Girl Of My Dreams is triumphant in its exploration of finding self-love in the aftermath of a devastating heartbreak. Throughout her discography, Fletcher has never shied away from her brutal honesty- representing a darker side of pop that is just absolutely epic when paired with her killer voice. With this being her debut album- every aspect that has worked so well in her past EP’s is amplified here, and did I mention that it’s like….. super gay? Need I say more?! Let’s get into the best of the best here!

Album opener “Sting” sets the tone perfectly- placing us directly in the wake of her breakup with her vulnerable lyrics and gorgeously emotive voice. Referencing several moments throughout her career from “All Love” on her second EP you ruined new york city for me to her third EP The S(EX) TAPES- the track compares the hurt to a sting as she wonders if it will simply always feel this way. The production is slick and perfectly crafted, allowing the track to continue to build until that vibey beat finally drops in the second verse. “Honestly, all I wanna know why does it sting? Why am I still hung up on things? Are you gonna give that diamond ring that’s meant for me to her? But maybe I like the way it sting, it’s all I got left of you and me, I’d rather it keep on cutting deeper, show what we’re worth,” Fletcher sings on the chorus, making me feel like shaking and crying in a way that only Cari Fletcher can succeed in doing.

“Sting” by Fletcher

Continuing the self-referential nature of the opener, the album’s followup track “Guess We Lied” is an absolute knockout- interpolating the chorus of Fletcher’s single “If You’re Gonna Lie” from you ruined new york city for me and giving it more of a rock edge to fit this edgier and more mature vision. As a longtime fan, I was shocked to hear the chorus of one of my favorite Fletcher songs sampled here but it works incredibly well- in a way that shows how time can change us and give us truth in hindsight. The original placed the blame directly on her ex, but this newer version allows Cari to accept some of the blame as well in lines like “I know we said forever but I guess we lied” there to destroy us emotionally. Now, my personal favorite lyric here comes from the start of the second verse- “Do you ever get the feeling, we’re a real deep cut that’s never healing, it’s fuckin’ me up but not in a good way”. Through connecting these newer songs to her past- the growth not only in her vocals but in herself as well serves to drive home the album’s overarching themes (more on this later).

“Guess We Lied” by Fletcher

“Birthday Girl” is another devastating moment on the album, written in the spiral of knowing that her ex- girlfriend shares the same birthday as her and being unable to escape the thought of her as she tries to celebrate her own day. As the album’s first stripped back track, “Birthday Girl” is a showcase to Fletcher’s incredible pen game- shattering my heart in simple sentences like “The night we met, we found out we were born on the same day, It was weird but kinda cute, And now it’s weird but fucking sucks, ‘Cause we broke up and I’m scared that it’ll never feel the same way. I hate that song without your name, and mine looks lonely on the cake“.

“Birthday Girl” by Fletcher

The heartbreak-tinged pop perfection continues through the middle of the album as we reach the singles that preceded its release like the chaotically petty “Becky’s So Hot” about her ex’s new girlfriend and “Better Version” which is about how the next person gets the so called “better version” of someone who moves on from a relationship. It’s here where the album takes a shift inward, abandoning the focus of past heartbreak and honing in on an exploration of self with the interlude called “I Think I’m Growing”. “I’ve had to get along and hang out with me instead, I saw all the parts I didn’t like, so insecure, so quick to fight, I didn’t know I was so co-dependent, I didn’t know I had so much resentment,” she sings on the opening verse of learning to be okay on her own for the first time in so long and discovering what she needs to work on in order to improve. The production is literal lesbian heaven- with Fletcher’s voice carrying us up through the rainbow gates with harmonies so tightly perfect, it has yet to resonate with me that they are actually real. So so so good.

“I Think I’m Growing” by Fletcher

Title track “Girl Of My Dreams” takes leaps forward towards self-preservation and love- proclaiming herself to be the only “girl of my dreams”- which honestly grasped my attention so firmly after incorrectly assuming that it would be a love song about another woman. “I’m all hers, and she’s all mine, I’ll love her ’til the day I die,” the New Jersey native isn’t claiming to be fixed or know the answer to what troubles her- but instead recognizes how she is the one who needs to stand tall and love herself unconditionally. There’s a sense of comfort in the lyrics, like a much-needed warm hug, to thank herself for being the one who has always gotten her through the toughest days. It’s a gorgeous statement and extremely worthy of representing the album as a whole.

“Girl of My Dreams” by Fletcher

Cari continues this look inward with “I Love You, Bitch” which is her learning to say that she loves herself after having said it much more easily towards her exes than she ever has to herself. “‘Cause I’ve said it, to everyone, everyone, everyone, everyone else, Like oh my God. And I’ve meant it, to everyone, everyone, everyone but myself, Like oh my God, So I’ve been looking in the mirror and I practice saying this: I love you, bitch,” the personality and charisma that Fletcher brings to every track truly shines here most of all- somehow escaping the pitfall that “self-love anthems” are often stigmatized for. The production is light and quite playful, a fun little song that perfectly blends to fit each moment- having taken influence from the pop punk resurgence in the chorus and the dream pop escapism of the verses and still allowing it time to breathe in order to continue building.

“I Love You, Bitch” by Fletcher

As we finally reach the album’s closing track “For Cari”, she offensively attacks our feelings as she dedicates this final note to Cari- the girl she is on the inside, the girl she has always been. It’s one thing to love and appreciate the singer that is Fletcher along with her writing and performing but to hear her talk so lovingly of Cari and take note of the growth felt throughout this experience, it resonates on absolutely every level. “‘So I’ll say ‘farewell’ to the hard times, and I’ll say “fuck you” to the bad vibes, and I’ll raise a glass while I toast to myself, I’m a bad bitch and nothin’ can scare me, This one’s for Cari,” the melodic structure and lyrics are so refreshing- they give me drunken night’s out with friends and toasting to the crowded bar kinds of vibes. It’s gorgeous and lots of fun- sealing off the album on the perfect note.

“For Cari” by Fletcher

Overall, Fletcher absolutely crushed it while making this album. The years that have preceded this release have done an incredible job of setting us up for what was to come while also respectfully keeping an eye on her past. If there’s any justice in this world, Fletcher will become THE pop queen with the release of this album- serving vocals, beauty and an undercurrent of honesty throughout that prove her to be more fearless than any of her current peers.

Girl Of My Dreams is out now on all streaming platforms!

Review: Maggie Rogers’ “Surrender”

Maggie Rogers’ new album “Surrender” is out everywhere now!

If anybody asks where I am, just assume I’m experiencing the feral joy that only a brand-new Maggie Rogers album can inflict on me. With her new album Surrender, Maggie tells stories about seeking escape through allowing herself to let go and just feel everything. It’s a gorgeous album, transcendent in both its production and its storytelling as Maggie waves the white flag above her heard for all of us.

Since the release of her critically acclaimed debut album Heard It in a Past Life in 2019, Rogers has been quite busy- having just graduated with her Masters in Religion and Public Life from Harvard’s Divinity School while simultaneously writing and producing her sophomore album. There’s a certain level of authenticity that Maggie continues to bring not only to her art but to her life as well that makes people gravitate towards her and root for her in every endeavor. And I truly believe that this authenticity bleeds through into her lyrics and her production as well. Let’s break it all down now!

Album opener “Overdrive” feels like an open road song- that start of a road trip kinda banger that sets the mood for what’s to come and feels like the utter freedom of the open highway before you. Rogers’ voice feels massive right from the first note, deepening her register on this record in ways we have never heard prior- in fact it’s almost reminiscent of Florence Welch at times in her ability to flip from her head to chest voice. “I don’t wanna do this again if you’re gon’ break my heart, I’m tearing at the seams, can’t believe that it’s gotta be this hard, you told me that I was all you could see, but you kept me in the dark,” she belts out on the bridge of a broken relationship as the production intensifies. “Overdrive” is an evolutionary piece, bridging the gap between the folk influenced sounds of her past and leading us into the liberation to come.

“Overdrive” by Maggie Rogers

“Anywhere With You” is an absolute standout and is quite possibly a contender for my Top 10 Songs of 2022 so far- both raw and exuberant in its storytelling and production. Maggie’s vocals are absolute perfection here as she tries to help her companion out of their lowest point in search of something bigger than themselves. “You tell me that forever couldn’t come too soon, If I’m gonna lose my mind, I’m gonna lose it with you, You tell me you want everything, you want it fast, but all I’ve ever wanted is to make something fucking last,” their outlooks on what’s to come may differ but she makes it clear that what’s most important is experiencing this journey together. The song’s crescendo is truly breathtaking, and the production choices made here by Del Water Gap, Kid Harpoon, and Maggie herself are, to put it quite plainly, fucking phenomenal.

“Anywhere With You” by Maggie Rogers

Channeling the grunginess of 90s rock and almost Springsteen-esque in the feeling it evokes comes “Shatter”, another incredible feat brought to us through the magical collaboration of Rogers and Kid Harpoon. It somehow encapsulates a handful of emotions- love, joy, fear, anger and confusion, all mixed into one song with a chaotic production to match it and a vocal so raw, it feels ethereal. Her authenticity continues to bleed through here with the adorable cracks in her voice bringing such character to her performance that it leaves me begging for more with every single listen. “I don’t really care if it nearly kills me, I’d give you the world if you asked me to, I could break a glass just to watch it shatter, I’d do anything just to feel with you“. She’s on an entirely different level.

“Shatter” by Maggie Rogers

Maggie’s lyrics read like gorgeous prose in pieces like “Begging For Rain”, which tells the story of that feeling of being in a dark place and focusing on what could have been different while begging for what could bring you relief. “You work all day to find religion, and end up standing in your kitchen, wondering ’bout the way it’s always been, I’m a firefighter and I can’t stop it, they fan the flames higher than rockets, and leave you standing on an open plane, begging for rain,” that feeling of grief is difficult to shake and can cause you to miss out on moments and people in your life that become casualties in the wake of your pain. It’s quite solemn but that’s what makes it all that much more poignant. Sonically, this track is more stripped back and a welcome reprieve from the string of bangers surrounding it in the tracklist.

“Begging For Rain” by Maggie Rogers

As the album heads towards its conclusion, we reach “Symphony”, which truly feels like an exhale from the rising tension that comes before it. It’s a moment of liberation, of transcendence, and a reminder to grasp onto that feeling as we continue on with our lives. “So just be here with me, there’s nowhere else I’d rather be, and there’s a symphony every time you look my way, I know we’re under slept and life’s a promise that never ends, but you can handle it. Take a breath,” she urges her partner to surrender to this feeling of peace that she has found for herself in their relationship. It’s a moment for us to take that breath as well- to take in what we’ve experienced and surrender to our emotions as Maggie transitions into the album’s final track.

“Symphony” by Maggie Rogers

What Maggie Rogers has done with Surrender is what most artists merely dream of- capturing the overwhelming mess of emotions that one experiences in life and refusing to let it take her under. Instead, she uses all of the pain as a lesson, finding her own motivation to continue on and in surrendering to all that she’s faced- she found true liberation.

Surrender is out now on all streaming platforms!

Fresh Brewed Playlist #15

Niki’s new album “Nicole” is out everywhere now!

“Backburner” by Niki was an automatic standout from her fantastic new album Nicole– recalling the feeling of neglect she’d become used to when in love with her partner. “I’ll always be in your corner, ’cause I don’t feel alive ’til I’m burnin’ on your backburner,” the feelings of neglect are almost okay as long as her partner still comes to her eventually, even if pushed aside for the time being. That feeling of waiting to be prioritized by the one you love is heartbreaking, and unfortunately quite relatable for many listeners. The Indonesian singer songwriter even wonders if it was her upbringing and her father’s “wandering eyes” that have instilled this feeling in her. It’s a gorgeously written song and Niki’s storytelling ability really shines through here in a poignant way that makes me want to hear way more going forward!

“Backburner” by Niki

Ruel’s newest single “YOU AGAINST YOURSELF” is the first single from the Australian singer’s debut album and another fantastic release. Starting the album cycle off with a sense of introspection, he offers up an anthem about overcoming self-sabotage- begging his loved one to let him be there for them in their time of need. “I can’t save you now, Oh, why’s it always you against yourself,” he sings on the chorus- beginning to lose hope that he can break down this barrier between them. Sonically, it’s a synth heavy pop banger with great listenability and the production by Sammy Witte and M-Phazes is so smooth that Ruel’s vocals lay perfectly on top of it. The 19-year-old singer’s voice has never sounded better, showcasing the gravel in his tone along with a falsetto in the chorus that solidify him as one of the most talented male vocalists in music right now. I for one, cannot wait to see what his debut album sounds like when it’s finally released!

“YOU AGAINST YOURSELF” by Ruel

Check out the rest of the songs featured on Fresh Brewed #15 below!

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Fresh Brewed Playlist #14

Inhaler’s new single “These Are The Days” is out everywhere now!

So being away for a bit means one major thing: Lots of new music has been released in the last several weeks so we have plenty to catch up on. Grab your morning coffee and let’s get rolling!

Dublin based rock band Inhaler’s newest single “These Are The Days” is the anthemic summer single ready to rock an arena near you. Over the years, Inhaler have proven themselves to be one of the most exhilarating new bands to emerge in years and continue their winning streak here with this newest release. “These are the days that follow you home, these are the days that kiss you on your broken nose, these are the days I don’t miss the feeling of being alone, thеse are the days,” the chorus feels nostalgic in that “Glory Days” kinda way. It’s the cliche that these are the best days of their lives together as a band- and yet they make it feel so fresh and cool. The production, like all of their releases so far, is top notch- carrying the sound of the bands that have come before them and making it modern. If Inhaler is the future of rock, we are in damn good hands.

“These Are The Days” by Inhaler

“In The Kitchen” by Reneé Rapp is a stunningly haunting piece of music that focuses on a moment from her relationship that has now ended and how alone she now feels. “So I’ll dance with your ghost in the living room and I’ll play the piano alone, but I’m too scared to delete all our videos, ’cause it’s real once everyone knows, you could’ve at least shown me some decency, done me a favor and packed up your clothes, falling in love, no, it ain’t for the weak, so don’t try this at home,” the chorus punches a hole into your chest and rips your heart out before you can even catch a breath. Her vocal performance is raw and gritty, an absolutely unforgettable performance that stays with you long after the first listen as she struggles to move past the memory of their love in fear of making the loneliness that much more real. It’s heartbreakingly relatable and Rapp uses her acting chops to heighten the emotions even more so in the gorgeously shot music video below.

“In The Kitchen” by Reneé Rapp

The Lost Youth’s newest single “Headfirst” is a raging pop banger that grabbed me from the first 10 seconds- and frankly if you don’t feel the same, I highly suggest getting your hearing checked. The production is slick, reminiscent of the past and yet so perfectly modern. The lyrics are sharp, about the vulnerable early stages of a relationship when you’re afraid of ruining things. “I play my part and I don’t play games, what if I go too far, could I lose everything,” the chorus is anthemic, ready to be screamed at their concerts and sure to be a fan favorite. With “Headfirst” only being their second release, they have an incredible potential to become an absolute sensation around the world. I’m so excited to see what this duo have in store for us next!

“Headfirst” by The Lost Youth

Check out the rest of the songs featured on Fresh Brewed #14 below!

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Fresh Brewed Playlist #5

Khalid’s new single “Last Call” is out now!

This week’s Fresh Brewed Playlist was curated with a strawberry acai refresher!

“Last Call” is Khalid’s newest release, commemorating a celebration of the five-year anniversary of his first album American Teen. The 24-year-old singer’s voice has never sounded better, with his tone gliding smoothly over Digi’s production which sets the single as your next late night driving jam. “In this world full of hatred, somehow I feel your innocence,” Khalid sings of a love worth waiting for in this melancholic track that leaves his listeners begging for his next full-length release.

Brooklyn based singer, songwriter and producer Sadie’s single “4am” is an astonishing debut. The sadness-tinged dance track is sure to impress the likes of Charli XCX fans as Sadie dissects a relationship in which both partners are unable to cope and admit to their problems. In a statement on her Spotify page, she said that she “imagines the interior worlds of two people driving around in the middle of the night, leaving everything between them unsaid“.

“Dude”, Melbourne based singer RARIA’s latest single expresses the frustrations of a “situationship” in which her partner called her “dude” after sex. “I hate that I don’t know where this something is going, but not enough to stop it, so I keep falling,” her relatable lyrics carry a weight to them over the catchy pop melodies. Describing the inspiration behind the track, she says that “he would treat me like his partner, talk about our future together, but he was always emotionally unavailable; sometimes that can make you want a person even more“. I bet he’ll see how much he lost as this future superstar’s recognition continues to rise.

Lyric of the week: “One day I’ll just be a memory and you’ll be better“- Matt Hansen in “better off without me”

Check out the rest of the songs featured on Fresh Brewed #5 below!

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