Alas we are back with another Fresh Brewed Playlist and this week, we have Gracie Abrams to blame for our tears! Her newest single “Difficult” is anything but difficult to listen to, with melodies that only the masterful minds of Gracie Abrams and Aaron Dessner could craft. While the lyrics continue the raw writing style Abrams has become known for, the production is sonically more expansive than anything the singer songwriter has previously released. The chorus soars as Gracie describes the weight that her inability to escape her own thoughts has had on her. “And I’ve been thinkin’, If I move out this year, I’ll feel my parents slippin’, Away and also, I’m just scared of that commitment, I really think sometimes there’s somethin’ that I’m missin’,” she puts all of her insecurities on display with this track and still finds a way to somehow still make it fun. Her voice is as gorgeous and painful as always, mixed perfectly with the guitar and drum heavy track. If “Difficult” and the previously released “Block Me Out” are a sign of what is to come from Abrams’ new album, 2023 is going to be moody in all of the best ways.
Joesef’s new single “Joe” is about grieving the person he used to be before all of the pain and heartache. Nostalgic of that simpler time, the anthemic track is ready to be screamed and cried out on these cool fall evenings. That itself is the risk of loving big and being open right? The toll that it can take on who we are, forever changed by the scar tissue built around our heart. But that’s the beauty of it- if we never loved, would we ever truly love? Joesef wrestles with this realization on this track, which he says will be an overarching theme across his new album Permanent Damage which will be released on January 13, 2023. “How much of myself can I give away, ‘Til there’s nothing left to take from me? Feels like I’m losing things I can’t replace, It’s an emptiness that makes me weak,” he opens the song with a knife to our hearts- so rudely relatable and wonderfully addictive in its instant listenability.
“Runaway Blue” by Chloe George is an addictive, late summer release that evokes the feelings of a hot New York City night. The track is about her own fear of commitment- her inability to allow herself to truly feel at peace with her partner as she is beginning to fall deep. Sonically, it feels so joyously wonderful- actually reminiscent of Sza in all of the best ways. “It’s just usually I see it comin’, so vivid before it finds me, but with you, it’s somethin’ I could never know, woah, I love you out of the blue since I’m givin’ way too much, I feel I been waitin’ up for you, I know life changes, if your mind changes out the blue, would you let me know,” she pours her heart out, afraid to let herself get too vulnerable in case her partner changes their mind without her realizing it. The songwriting and production choices made are absolutely gorgeous, and it makes me so excited to see what Chloe has in store for us with all of her future releases.
Check out the rest of the songs featured on Fresh Brewed #16 below!
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It’s hard to believe that it’s been 2 years since we followed the golden string into the folklorian woods created by Taylor Swift and had our lives forever changed. Like Narnia and Wonderland before it, the world crafted gorgeously by Taylor passed down stories of loves lost, introspection and hopes of what’s to come. It’s been a magical 2 years and the stories told here still hold the same weight- and that’s why I’d like to deep dive this phenomenal album’s best lyrics and production choices.
Swift’s collaboration with Jack Antonoff and The National’s Aaron Dessner all came about amidst the start of Covid, with every song being written, produced and recorded within the span of a few months. The low stakes process of making the album is perhaps what made it feel so special- lacking any pressure of her record label or expectations of charting. This was music made for the sake of writing- at times painful, cathartic, and exactly what was needed to survive in that insane moment.
The album’s first track “the 1” perfectly sets the tone for what’s to come on the record, describing a love that got away with a production that automatically felt like a change of pace for the singer who had previously released her pop centric album Lover less than a year before this. “And if my wishes came true, it would’ve been you,” the speaker thinks to herself on the chorus of a love that is no longer in her life. It’s heartbreakingly relatable, trying to seem as if she’s moved on and yet still thinking of them to the point of believing she sees them in the places she goes. The line that still haunts me with every listen comes in the bridge when she ponders to herself that “I persist and resist the temptation to ask you, if one thing had been different, would everything be different today?”
The album’s lead single “cardigan” is a standout among Taylor’s tremendous career, perhaps one of the best songs she has ever written. The first song in the “teenage love triangle” trilogy featured on folklore, “cardigan” is from the perspective of the character Betty looking back on her past with her partner James who put her through a lot when they were younger. “But I knew you’d linger like a tattoo kiss, I knew you’d haunt all of my what ifs, the smell of smoke would hang around this long, cause I knew everything when I was young. I knew I’d curse you for the longest time, chasing shadows in the grocery line, I knew you’d miss me once the thrill expired, and you’d be standing in my front porch light, and I knew you’d come back to me,” she sings on the third verse. Everything from the lyrics to the instrumentation and the way Swift sings the track is absolute perfection and Dessner’s production is some of the finest I’ve heard in recent memory.
“my tears ricochet” is one of only a few songs on the album that have a personal stake in its story rather than the fictional tales Taylor had written with the other tracks. Her vocal delivery has an edge to it here, a clear-cut message for the man who many believe to have inspired the track- Scott Borchetta who sold Swift’s masters without her permission to Scooter Braun. Like all of the best songs on this record, it’s not merely about one thing- with Taylor’s skillful writing making it connect to her own life while leaving it broad enough for its listeners to find relatable as well. “And I can go anywhere I want, anywhere I want, just not home. And you can aim for my heart, go for blood, but you would still miss me in your bones. And I still talk to you when I’m screaming at the sky, and when you can’t sleep at night- you hear my stolen lullabies,” the swell of the production continues to build through the bridge before reaching its peak in the final chorus. There’s a rage beneath the song’s seams that only a true betrayal can trigger and it’s that emotion that leaves me in its wake every single time I listen to it.
One of my all-time favorite Taylor songs and my personal favorite from this record has to be “august”, which is the second part of the “teenage love triangle” trilogy- this time told from the perspective of a girl named Augustine who James spent a summer with instead of with Betty. If Augustine had been written by the wrong hands, she could have been merely made into a trope of the “other woman”, but with Swift as her writer, she is instead fleshed out and understood. It’s made clear that she thought this love was real and not just a summer love, which makes the listener empathize with her even more so when James goes back to Betty in the end. Here, the production is light and summery to match the summer love that James and Augustine shared and instantly feels classic. “But I can see us lost in the memory, August slipped away into a moment in time, cause it was never mine. And I can see us twisted in bedsheets, August sipped away like a bottle of wine, cause you were never mine,” she continues to break our hearts with that chorus.
If we’re talking about songs that stay with you long after the first listen, we need to mention “this is me trying” which really showcases Taylor’s ability to capture other perspectives by telling stories of a person struggling with mental illness and another struggling with addiction. This song is her way of giving credit to those who don’t always have their daily struggles acknowledged by those around them. “They told me all of my cages were mental, so I got wasted like all my potential, and my words shoot to kill when I’m mad, I have a lot of regrets about that. I was so ahead of the curve, the curve became a sphere, fell behind all my classmates and I ended up here, pouring out my heart to a stranger but I didn’t pour the whiskey,” the second verse really hits when you feel like where you are in life doesn’t quite reach the potential you faced at a younger age- especially now that less people pat you on the back when you reach adulthood. The song itself explores how sometimes the act of trying is something only you know when the ones around you don’t know your personal struggle- and it’s truly something that has resonated quite poignantly with her listeners.
The final song in the “teenage love triangle” trilogy is “betty” which is told from James’ perspective as he shows up at Betty’s party to apologize and try to win her back after his affair with Augustine. It’s the quintessential, end of a romantic comedy ending that we all hope for as the man comes to his senses and owns up to his mistakes. Here though, it’s tinged with a bittersweet sadness as we consider how Augustine is left in the dust as James and Betty rekindle their love. “Betty, I’m here on your doorstep, and I planned it out for weeks now, but it’s finally sinking in. Betty, right now is the last time I can dream about what happens when you see my face again,” James is filled with that beautiful anxiety as he plans on the possibilities of what will happen when he shows up at the party. This song always brings me back to those moments in my life, those moments before you see the person you love after a long time and that hopefulness you feel that seeing you will mean as much to them as it does to you.
The haunting production on “peace”, mixed with the anxiety-tinged lyrics create a gorgeous balance that has continued to make this song grow on me with each listen. This is Taylor at her most personal and raw on this record, singing directly to her longtime boyfriend Joe Alwyn. She recognizes that although she tries to make her life as normal as possible for everyone around her, there’s always this dark cloud lingering over them. She can’t control what tabloids will say about them or if there’s a strange man with a camera nearby wherever they go, but she hopes that what she can control is enough for him even if she can’t give him peace. It’s very much the price of fame which has been written about time and time again over the years but never to this degree of intimacy. “And you know I’d swing with you for the fences, sit with you in the trenches, give you my wild, give you a child. Give you the silence that only comes when two people understand each other, family that I chose now that I see your brother as my brother. Is it enough?”
The album’s closing track “the lakes” continues this sentiment of finding a sense of peace in life, this time exploring the idea of someday being able to escape from the spotlight and moving somewhere like the great poets did, where they were free to just write for themselves. Inspired by a trip to the lake district in England with Alwyn, she recognized a part of herself in those writers and while she can’t run away there at this very moment, his love gives her that same sense of freedom and happiness in this time. “Take me to the lakes where all the poets went to die, I don’t belong and my beloved, neither do you. Those Windermere peaks look like a perfect place to cry, I’m setting off, but not without my muse, not without you,” she closes out the album on that final sentiment.
Taylor is at peace with her life, after all of the turmoil and betrayal she’s faced. She’s now surrounded herself with people who only serve to bring light into her life and has found a love worth leaving it all behind for. And in doing so, she’s been able to expertly explore these gorgeous, fictitious stories that she began to craft here as well as in folklore‘s sister album evermore after it.
folklore is exquisitely crafted- still as fresh on its second anniversary as it was on the first listen with surprises still being found in the background of its production and songwriting choices that still leave me wondering how someone could be THAT good of a writer. The folklorian woods are a magical place- full of comfort and heartbreak and like most of you, I continue to find myself wandering back in all over again.
Maggie Rogers’ first single off of her long-awaited sophomore album Surrender is finally here and it is exquisite. “That’s Where I am” is Rogers’ first release since beginning graduate school and it fulfills every bit of expectation built by her beautiful first album. Sonically, it feels gorgeously joyous, but its lyrics paint a picture of the toll that waiting to be with the one she loved took on her. “You never touched me but I felt you everywhere,” she sings on the second verse when reminiscing of her lover’s relationship with another girl that she had to sit and watch when they were merely friends. This song will hit home for anyone who has ever felt a certain way for a friend, but it’s Maggie Rogers’ voice and storytelling that will leave you coming back for more every single time. Her second studio album Surrender will be released on July 29th.
“Offering” by burningforestboy is a sexy, brutally chill track from his new album STARSCREAM. The South African artist’s voice is almost hypnotic as he pours out his feelings to his lover in lines like “I won’t give you anything more than what you need Baby, you tell me what you want and you’ll receive“. The 2 minute and 19-second-long song is definitely way too short, but it begs to be endlessly repeated. The track’s success has been monumental for burningforestboy, as he’s become the first South African musician to be featured as the Cover artist for major Spotify playlists like Fresh Finds. If he continues making music like this, there’s sure to be many more milestones ahead.
Gracie Abrams’ newest release “Block Me Out” is another stunningly raw collaboration between the singer and The National’s Aaron Dessner. The two previously worked on Abrams’ beautiful EP This Is What It Feels Like, which was met with critical acclaim in November 2021. “Block Me Out” is Gracie at her best- an open wound spilling out her truth with a voice that will haunt you for the rest of your days. “I think I’m burning alive, but nobody sees the fire, ’cause when I open my mouth, I seem to be stuck in silence,” she sings on the second verse of how her mind plays games with her and holds her back from the ones she loves. As always, Gracie portrays a self-awareness unlike any of her peers and somehow puts into words the feelings that we all struggle with, when the voices in our heads get too loud and we wish we could shut them down. The fact that she brings attention to it so beautifully is perhaps the first step in getting better and she’s gifting her listeners with taking that step in the right direction as well.
Check out the rest of the songs featured on Fresh Brewed #10 below!
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